PBook coverRESS RELEASE – For Immediate Release



Bishops and other species of clergy have loomed large throughout my life’

PURSUED BY BISHOPS is the autobiography of Edwin Apps, actor, writer and painter, who together with Pauline Devaney created ‘All Gas and Gaiters’, the influential hit BBC comedy series about the Church of England, which aired between 1965 – 1972, and paved the way for many of the UK’s most popular TV sitcoms, including Yes Minister and Dad’s Army.

Starring the popular actors William Mervyn, Robertson Hare, Derek Nimmo and John Barron ‘All Gas and Gaiters’ was the first sitcom to make fun of the church and played on the farcical rivalries between the different clergy members with great comic effect. A huge success with both viewers and critics alike it ran for five series and at its peak it was the third most watched programme on BBC television, with weekly audiences of 10.5 million viewers.

In many ways more like a novel than an autobiography, Pursued By Bishops has an artfully constructed, fast-paced narrative featuring a colourful cast of characters. Apps’ vivid recollections offer insights into traditional Kent life and his Church of England schooling during the 1930s and 40s, his life as an actor in repertory theatre in the 50s and the world of radio and television in the 60s and 70s, whilst set against the backdrop of the changing social landscape of post-war Britain where a revolution was taking place, “a very English form of revolution which was quite as sweeping as the French Revolution but without the bloodshed. The middle and upper middle classes, instead of being guillotined, were held up to ridicule”.

A familiar face on British television and in the theatre during the 1950s, 60s and 70s Edwin Apps has met and known a lengthy list of famous figures, including Christopher Hassall, Glenda Jackson, Frank Muir, Dorothy L Sayers, Derek Nimmo, Dame Maggie Smith, Sir Compton Mackenzie and Sir Peter Hall to name a few, and his memoirs are punctuated with many anecdotes that reveal unexpected perspectives on their character, as well as his own unusually democratic approach to celebrity.

Born in 1931 into the traditional world of auctioneering and hop farming in Wingham, East Kent, a family quarrel led to his being sent to the St Edmund’s Clergy Orphan School in Canterbury in 1940, an experience that has subsequently influenced much of his life and work.

At the age of seventeen he joined a weekly rep company in Lancashire. Championed by the dramatist and librettist Christopher Hassell, the 1949 Canterbury Festival saw him spend a week making angels’ wings with the legendary Dorothy L Sayers and pulling her out of a bomb crater that she fell into following a sherry party. The Central School with Harold Pinter ‘whose premature departure had allowed me to move up a year’, performing in Sir Peter Hall’s first professional theatre production (‘All theatre people are ambitious….Hall’s ambition was almost indecently naked’) where he got to know a ‘very pretty and witty’ Assistant Stage Manager called Maggie Smith, visiting Christopher Hassell when ‘he was trying to write a funeral oration’ for his friend and colleague Ivor Novello, drinking whisky in front of the fire at the Edinburgh flat of Sir Compton Mackenzie who tells him of his efforts to dissuade D.H. Lawrence from writing ‘Lady Chatterley’s Lover’, live television comedy with Jimmy Edwards and Harry Worth, friendship with Glenda Jackson and her then husband Roy Hodges, who helped with childcare and let Edwin’s son play with Glenda’s Oscar, visiting Corsica with Frank Muir and writing ‘All Gas and Gaiters’ are just some of the experiences that form part of the amusing narrative.

A problem for all autobiographies is that there is no obvious ending. Here the problem is solved when, leaving England for good, Edwin Apps moves to France to begin a new life as a painter.

Bishops, and other species of clergy have loomed large” throughout the life of Edwin Apps, as has comedy. In France, he is well known for his narrative driven paintings of bishops in unconventional situations. To coincide with the publication of Pursued by Bishops a selection of his paintings, seen for the first time in Britain, will be exhibited by Genty Fine Art at the Tyger’s Head gallery and at the neighbouring 12th century Parish Church of St Peter and St Paul in Tonbridge, Kent from 18th – 25th May 2013.

Edwin Apps will be signing copies of Pursued by Bishops at Mr Books on Tonbridge High Street in Tonbridge, Kent. ( on Sat 25th May from 2pm – 6pm.

Pursued By Bishops is published by Durand-Peyroles ( and will be available from 14th May 2013 at independent book sellers and online at Amazon, Barnes & Noble, Foyles and Waterstones (ISBN: 978-2-915723-94-6).

Press Enquiries

For more information or to arrange an interview with Edwin Apps please contact:Anna Christoforou on 07818 035 690 or email:

Notes to Editors

All Gas and Gaiters

All Gas and Gaiters was the first sitcom to make fun of the church and was a huge success with both viewers and critics alike, running for five series on television before being adapted for radio. Commissioned by Frank Muir, the then BBC Head of Comedy, at its peak it had weekly audiences of 10.5 million viewers and was the third most watched programme on BBC television.

Within the rebellious context of the 1960s the show exposed the unreformed Trollopian backwater of the Cathedral Close with its gaitered prelates.* Starring the popular actors William Mervyn, Robertson Hare, Derek Nimmo and John Barron the show played on the farcical rivalries between the different clergy members with great comic effect. Although it initially caused controversy the clergy soon became the show’s greatest fans. Set in the fictional St Oggs Cathedral a number of French cathedrals were initially used for fear of upsetting the clergy. By the third series the deans of Chichester, Winchester and several other cathedrals were ‘falling over each other to have their cathedral become St. Oggs.’

Stuart Allen, the veteran TV comedy producer, who produced All Gas and Gaiters and then went on to produce some of most successful TV comedy series of the seventies and eighties, comments: “All Gas and Gaiters was an influential landmark for television situation comedies. It broke away from the convention of shows that were solely starring vehicles for a single performer like Arthur Haynes, Harry Worth and Tony Hancock, by featuring a team of actors who were all equally important.  It’s format inspired many of the UK’s best-loved series of the seventies and eighties, including Yes Minister, Dads Army and On the Buses.

Following an unhappy attempt at economy at the BBC, where tapes were wiped so as to be used again, only 11 episodes of All Gas and Gaiters remain. They continue to be popular and were most recently broadcast on BBC Radio 4 Extra in 2012.

Edwin Apps

Following a successful career performing in repertory and West End theatre in the 1950s and early 1960s Edwin Apps first came to prominence on British television as Mr Halliforth in 'Whacko' with Jimmy Edwards, written by Frank Muir and Dennis Norden in 1957, subsequently appearing in almost all the well-known comedy shows of that time: 'The World of Wooster', 'Harry Worth', 'Steptoe & Son', 'Benny Hill', as well as successful series such as 'Danger Man' and 'The Avengers'.

Turning to writing in the '60s, he did several successful adaptations for television, such as 'Charlie's Aunt', starring Richard Briers and co-wrote' the classic comedy series about the Church of England, 'All Gas and Gaiters', with his then wife Pauline Devaney.

In 1976 he left England and moved to the Marais Poitevin in the west of France and began to paint. "People seem to find it puzzling that I changed direction and left the theatre to paint. To me, it seems a perfectly logical development. Painting, acting and writing are all forms of communication, but painting seems to me to have the edge on the others. When you think that with a bit of colour and piece of cloth you can communicate directly with the spectator, you can transmit feelings and thoughts impossible to express in words.”

He is well known and critically acclaimed in France for his narrative driven paintings of bishops in unconventional situations, which he continues to paint and exhibit.

A short film of Edwin Apps talking about the influences on his work can be seen at:

Information about Edwin Apps’s paintings can be found at:

Pursued by Bishops – Exhibition Details

Showing his work in Britain for the first time, Edwin Apps has chosen as a backdrop to the launch of his memoirs a selection of his bishop paintings, which will be exhibited by Genty Fine Art at the Tyger’s Head gallery and the neighbouring 12th century Parish Church of St Peter and St Paul in Tonbridge, Kent from 18th – 25th May 2013.

A series of fourteen paintings inspired by John Bunyan's "Pilgrim's Progress" will be hung in the body of the church. First shown in 2000, as part of a major exhibition of his work, in the museum at Niort, capital of the Deux Sèvres region of France, the paintings take their titles from the difficulties the Pilgrim encounters as he tries to steer a course through the world avoiding greed and corruption. These will be accompanied by the ‘7 Deadly Sins’ in the foyer of the church, a series of 2D cut-outs of bishops, whose robes open like shutters to reveal the reality of their sin.

The neighbouring Tyger’s Head will be exhibiting a selection of smaller scale bishop paintings and other series, including ‘The Bankers’.

Genty Fine Art

Genty Fine Art was set up in France in 2005 and is now based at Tyger’s Head, a 15th century former guildhall in the old centre of Tonbridge, Kent.

Run by David and Helen Genty, who have extensive experience in fine interiors, as well as art consultancy, the aim of Genty Fine Art is to champion and support its stable of mid-career contemporary artists chosen for their mastery of technique and integrity of vision.

Living and working in France for ten years, David Genty had the good fortune to discover many exceptional artists while running ‘Vouvant Village des Peintres’, an artists’ residency and exhibition programme in the idyllic medieval village of Vouvant in rural Western France.

Each artist represented by Genty Fine Art is chosen for their craftsmanship, skill in the handling of materials, colour and energy — as well as the emotional response their work generates.

Genty Fine Art regularly show at London and international art fairs.

Kent Connections

Born in 1931 into the traditional world of auctioneering and hop farming in Wingham, East Kent, and schooled at St Edmund’s Clergy Orphan School in Canterbury (, Edwin Apps’ vivid recollections in Pursued by Bishops offer many insights into traditional Kent life during the 1930s and 40s. Tenterden, Wingham, Sittingbourne, Canterbury, the Isle of Sheppey and Broadstairs all feature prominently as the backdrop to his childhood.

As a young boy he lived at Wenderton House, part of his mother’s family farm, in Wingham, frequently visiting his Aunt Peggy and Uncle George near Sittingbourne, and his beloved great aunt Yaya at her farm in Headcorn, who “was drenched in moral turpitude….and brought a much-needed breath of fresh air to the prevailing respectability.”

His father's family lived in Tenterden and were well established as one of the oldest families in the town, where they had a prosperous ironmonger's business which had survived several generations. His Grandfather Edwin was a Town Councillor and Churchwarden, who had married Margaret Edwards, the eldest daughter of Obadiah Edwards, who owned the Tenterden Brewery.

When he was twelve Edwin Apps painted a picture of the Red Lion pub in Wingham, which was “considered by everyone to be a success” and which he sold to the pub landlord for £5 “a colossal sum in those days”. It was the first painting that he ever sold and it still hangs in the pub today.

Durand-Peyroles Publishing

Founded in 2009, Durand-Peyroles Publishing is a small publishing company headquartered in the Vendee region of Western France.

Publishing in both English and French it has a catalogue of thirty titles by authors from France, the UK, Belgium and the USA,


VIENT DE PARAÎTRE chez Geste éditions


L'Abbaye de Rabelais, 

livre illustré de 75 dessins à la plume et lavis

Au temps de sa splendeur, l'abbaye a dominé l'île de Maillezais. Aujourd'hui, ses ruines, s'élèvent dans le marais comme un navire en train de se couler.

Son histoire , parfois turbulente, parfois comique, inclus plusieurs personnages de grande envergure, tel , François Rabelais, Geoffroy la Gran'Dent ou Agrippa d'Aubigné et parmi ses 22 évêques, un assassin et un italien de 12 ans.

Rabelais's Abbey.

Illustrated with 75 pen and wash drawings

In the days of its splendour, the Abbey dominated the island of Maillezais. Today its ruins rear up out of the surrounding marsh like a foundering ship.

Its history, at times turbulent, at times comic, includes many larger than life characters, such as François Rabelais, Geoffroy Big Tooth and Agrippa d'Aubigny, and the 22 bishops numbered a murderer and an Italian of twelve.

En vente par correspondance et par e-mail
envoyez vos commandes avec vos coordonnées à:-
Edwin Apps
La Divêterie
85420 LIEZ


On sale by mail order or by e-mail
send your orders together with your adress to:-
Edwin Apps
La Diveterie
85420 LIEZ

Format 165 x 240 mm - 184 pages - Prix 17 euros.
frais de port en sus
Format 165 x 240 mm - 184 pages - Price 17 euros (£10.65).
plus postage & packing